Project Description

Broota’s most recent works mark yet another change in subject and compositional elements. The inertness is slowly being shed for the arrival of the body in motion.

“The most pertinent shift in Broota’s approach has been the introduction of dynamic movement, a certain commotion that has entered in his compositions of late, for instance in The Final Bout (2013), the spiral vortex of energy formed by the combat of the wrestlers is magnified by the deluge of monolith concrete forms that once again underscore the artist’s observations with regard to precarious modern living.”

– Roobina Karode, Visions of Interiority: Interrogating the Male Body