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TOI-The Crest Edition: From Blade to Computer
Photography, it was said, would kill painting. But what happens when an artist starts painting photographs? Not with brush and colour but camera and MacBook Pro. For the last one year, Delhi artist Rameshwar Broota has traded the easel for pixels. “I stopped using the brush in the ’80s and turned to the blade,” he says. His technique of applying several coats of paint and then scratching out figures with a blade earned him the epithet of Blade Runner. But of late, he’s been burning the midnight oil in front of his 30-inch computer screen, turning photographs into images that are nothing like the ones he clicked.
This End to the Other – by Roobina Karode
Rameshwar Broota’s recent photographs reflect both a contemporary emphasis on the interiority of vision and translate the personal relationship between the photographer and subject in many ways that appear at once spontaneous and yet are shaped with extraordinary care.
Indian Express: The Big Picture
In Rameshwar Broota’s office-cum-studio at Delhi’s Triveni Kala Sangam, a 32-inch MacPro glows softly in the morning light. It’s the machine on which the 70-year-old artist has produced his latest work — photographs taken over a period of five years, in vastly different places: from Greece to Turkey; from the barren wasteland of Spiti to the crowded streets of Haridwar. They are intricately detailed images, but blown up to a massive scale, and part of the exhibition “Open Enclosures” on at Shridharani Art Gallery in Delhi.